+@-------$ @ @@@ @@ +@@@$$$$$@@$ @ -+@@@@$ +@+ @@@@ @*@+++@$ @@@------$ @@@ @@@@@@@@@ +@* @@ @@@@@@@@@$ -@- +@+ @@@@++@@@@*+ -@@- @- @@@@@+++@$ -$- -@- @@@ +*$@+ +-+-@+@@+ @@@- $@@--+- -@*--- --- -@- -@@- *@+ @@@@@@@@@* @@+ @@@@@@$*+-** @@@@$*+*$*- +@+ *@@ +@+@@@++-@$@@- +@+ @+--+*@@@@@* +@$--- --- @@@ +- @@@- +@+$@@ *@$ $@$ -@--*@$@@@ +@+ $@@+-----$@$--@@@+++$-+@@$$@@+++*@@+ *@@ @@@@$@@@*@ +@+ @@@@@$$$@@$- -*$@@@@@@@@ -@@@@@@@@- +@@@ @@@@---@+ @@@ @++-----+ --++$-++ -$+++*@- +@ @+ @ .-------------------------------------------------. | flodis - flowers of disruption - #27? - 03.11.99 | `-------------------------------------------------' the zine for tasha & anjee ©©©©©©©©©©©©©©©©©©© the flowers of disruption, for tasha and anjee, would like to present a stem, er, gem of a text from ron, zaff, sweeney erect. don't tell yer mommy! ------------------- dear trilobyte@rockford.com beginnings are always the hardest part but the best. you stand there in all the goo and try to fashion it into something and everything is open and fresh, oven-fresh. fresh like the way you get fresh with a girl and she slaps you. but beginings are hard because, to begin badly, well that puts everything in a horrible state. never be at 6's and 7's from the start. i can't explain just how we lost it from the start. see, that's what i do. because beginnings are so crucial, i turn them into absurd parodies, i ridicule myself. don't think i am making fun of you--i am making fun of me. because that way, if i fuck up, you won't know i have fucked up. nothing tires me out quicker than sincerity, so i keep sincerity to a minimum. that is my manifesto. but you didn't ask for manifestoes, but i don't have anything else to give, you see. that's all i can do. i walk about and compose little manifestoes. i pontificate, but the only person who wants to hear my pontifications is me, so i keep it to myself. and then my thoughts spill out like manifestoes. like i am saying the apostle's creed only with me at the godhead. just there, i was trying too hard. if i try too too hard, you will know i like you. but i don't try a little too hard, you will think i am not willing to jump through hoops at all for you, and you will lose interest. it's a delicate balance you see. my looks aren't overwhelming, so i am always stuck in this balance, and it gets tiring. see, at any moment i could have anything i wanted, if only i knew how to ask. that is the heart of black magic and alchemy--the keys to everything are always right in front of you if you know the right thing to say and do. but i'm no cary grant. hell i'm not even cary elwes. i sat one night with a gun in my mouth, looking out my window at the moon for about 5 minutes and couldn't pull the trigger. how can you respect a man like that? if i had it to do over again, i would have shot out the window and jumped. now that would be style. but here i am rambling on. but i gotta use words when i talk to you, and the words they pour out but i don't know where they go. it is like i am trying to seduce you by calling your line and then trying to pour honey into the telephone. it's all such a waste. it's all so gommed up. so who knows and whatever etc. it's a waste, trying to say vibrant things in a dying tongue. our tongue is like an old whore everybody has fucked but nobody can make come anymore. i want to make that bitch come, but she won't. give me five minutes alone with your muse and i'll make that bitch a screamer. my favorite colour is thirst. that's all i've got. ---- it's like when you go to a doctor and there are a bunch of people you don't know in the waiting room, and you feel a common bond. it's all right to suffer. everyone else is. all-night restaurants are the haven for the people who can't deal with life on a daytime basis. best be a night person, there are just too many people thriving on that daytime light. minding their own business. why should you come in and shine your darkness? adjust your schedule to fit in with other recluses, 3rd shift employees, twisted extroverts, or homocidal closet homosexuals. that way you can sit at a table for four hours drinking coffee, smoking cigarettes, and talking or remaining silent about any possible thought that could enter your mind. everyone else has thoughts too, you know. they're all brewing like the vat of ground beans and hot water back in the kitchen, where food spills on the floor and trays are thrown by angry employees. would you rather that the server, a twisted individual, took out his 28 years of frustration on you, or on the instruments of his profession? perhaps he understands the plight of everyone in the place with him at 4 in the morning. perhaps he realizes that taking his worldly frustrations out on other downtrodden people will not calm him, but rather set him apart from the society into which he fits. though when there are too many dogs in one house, you have to start setting out different dishes of food. they won't all eat out of the same one anymore. one may get angry at another and show teeth and then another dog will take his side, and it becomes this big brawl of 3rd shift employees and wasted strippers. imagine that you go to a park with some friends and get stopped by a police officer, who remembers you from another time. the time that he stopped you in the same park, a year ago, and searched your car to find correctly stowed bullets and a gun. this time you're not offending anyone, you're in someone else's car. but stop imagining yourself in that situation, because it takes a number of destructive and difficult years to reach that point. but if you were to take up the challenge again, to put yourself in that person's position, where would you go at 4am? you'd go to an all-night coffee shop, where you could meet up with other people who understand that bad things can happen to people. they've seen it happen. they live it. they might be suffering or they might be reveling, but they've been there. some of them got the t-shirt, some got the garter belt, some got the embroidered badge. some got the burned arms, the skewered hair, the mongoloid features. those are the ones who stand on roofs of houses screaming "SALOOOOOOOYYOOOOOOOU" until their lungs fly from their mouths. grown up tendrils of moist sunshine learn soon enough that water contains harsh chemicals. the chemicals put there by men who grow plants for a living. the ones who create food before it is injected with synthetic resin. they grow that sort of food which doesn't go on lasting forever like a twinkie or a fruit roll-up. i suppose if i was shrinkwrapped in plastic and put on a shelf, i'd last a pretty long time too. maybe i could get a job at Hormel and jump onto one of their assembly lines, i could get chopped up into little bits of meat and get packed into air-tight tins which will rest in cupboards around the world until that moment when one person will decide that "TONIGHT'S THE NIGHT FOR SPAM, DEAR." and i will be put onto a frying pan and sizzled, or maybe cooked in some other fashion, or maybe i will be sliced raw and put between two slices of bread with some mayonnaise. but would it be better if i were chewing gum? i'd last for a long time in a nice wrapper until someone chewed me and chewed me until i lost my flavor, then i'd be spit out but would remain as a commonly recognizable chunk of chewing gum, just without any flavor left. i would never again be chewed up, not at all. people wouldn't want to touch me either, i'd be taboo. all because somebody chewed me up. i'd stick to the bottom of a table for a very long time until i was scraped off and thrown away with remains of old food or newspapers. no, i think it would be better to go out in full form -- be chopped up and tinned, eaten, and then reintroduced into the world as a completely different set of nutrients, ready to be recycled into new form. tis better to be chewed and swallowed than chewed and spit out. (*#%@(*@%#(*#@(*@%(*%#@(*%#@(*(*%#@*(@%#(* ŠÕÕª .-. Š»ÕÕÕº Šª Š»ÕÕÕÕº ŠÕª ŠŠÕÕÕÕÕÕÕª | | this was an †† †† †† ŠÕª † † †ÕÕ† ††† | | honestly bad †»ÕÕÕº †† †† † † ŠÕÕÕÕ†Õ† † † ††† | | time-waster †† †† †† † † † † † † † †»ÕÕÕÕÕÕÕº | | email-box †† ŠÕÕÕÕÕª †ŠÕÕª † † † † † † »»» | | filler »º »ÕÕÕÕÕº »»ÕÕºÕº »ÕÕÕÕ»Õº »ÕÕº »»ÕÕÕÕÕÕÕº | | from .----------------------------------------------------------| | trilobyte `----------------------------------------------------------`-' flodis / flowers of disruption #27? / 03.11.99 / trilobyte@hoe.nu tell your friends to call longdistance with flodis